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Fedra Sans, the flagship of Typotheque, has…

Typotheque has become one of the first commercial type foundries to license its entire font collection for use on the World Wide Web.

Typotheque’s Web Font Service frees webpage designers…

We decided to do something special to celebrate Typotheque’s first 10 years. No, not a self-congratulatory book or retrospective exhibition, but something simple and useful. We asked four of our…

Typotheque pays as much attention to ‘non-Latin’ fonts as to our Latin fonts, and by now our fonts support over 190 languages spoken by over 1.5 billion native speakers. Latest expansion of Fedra…

Nara explores gaps in traditional type classification. It exhibits characteristics of humanist typefaces, such as an oblique axis of contrast between the thick and thin strokes (as in Garamond,…

Back Cover (formerly known as Marie Louise) is the only serious French magazine, as far as we are concerned, interested in graphic design and its history. Now with full English translation. In this…

The newly redesigned Typographica published their Favorite Typefaces of 2008. Two Typotheque’s typefaces were selected: Brioni and History. Caren Litherland reviewed Brioni and called it “a…

To meet the growing demand for for global communication, Typotheque has taken another step towards true internationalisation by extending all its fonts to support Klingon. Typotheque CEO Peter Bilak…

We are pleased to introduce more ways to stay in touch with our beloved customers, visitors, and fans. The most direct way to get information from Typotheque is to subscribe to our newsletter…